Tag Archives: Orange

The BRIT Awards brand endorsement showcase

The Annual BRIT Awards take place tonight marking one of the key moments in the UK’s music calendar. Perhaps even more so this year as the event celebrates its 30th broadcast.  Music sales will undoubtedly rise post event – albeit temporally – as the cream of the UK’s popular music scene take to the stage. However, aside from the compelling performances (and the media gripes about who has and hasn’t been nominated) there is another undercurrent of interest that barely gets a mention. In many ways the event is a showcase of musical acts that brands, seeking to impact the popular youth market, should be honing in on – if they haven’t already.

With labels and artists eager to supplement their declining recording revenue with lucrative brand alignments the stage is set to highlight some of the UK’s biggest players in this space tonight. If you are shopping for a mass-market appeal act then the BRIT Awards is offering you a one-stop shopping channel for the few hours it broadcasts.  A quick scan of the acts performing tonight highlights their ongoing brand appeal, with the majority of artists present involved in brand alignments running concurrently with the event: Cheryl Cole (L’Oreal), Kasabian (Umbro), JLS (Nokia), Lily Allen (Xbox), Dizzie Rascal (Nike), and Florence and the Machine (a saturation of syncs across UK TV).

Pixie Lott, one of the BRITs’ most nominated acts – who performed at the launch event – has spent the last year racking up a string of endorsement deals (Nokia, Casio, Guitar Hero, River Island, EA, Orange, O2, and MySpace – to name just a few). Even Lady Gaga – one of the international acts taking to the BRITS stage – is open for branded business, having recently signed up to a creative partnership with Polaroid.

Although not on a par with the Grammys or the Super Bowl, it will be worth watching the ad breaks to see just which brands are utilising music around the event. Last year Coca-Cola chose to break its Duffy cycling commercial during the BRITs, and ITV itself decided to run a competition pitching ad agencies against each other for some of the lucrative commercial partnership slots.

Of course the biggest brand of the evening is MasterCard who recently
decided to extend the UK’s longest running music sponsorship for a further
three years. Bearing in mind the MasterCard sponsorship I’d be highly surprised if Barclaycard didn’t roll out the roller-coaster version of its water slide commercial during one of the breaks.  Finance entities aside, one of the brands definitely taking a slot is O2. The mobile brand intends to push its Top-up Surprises programme, offering every one of their users a ‘gold’ surprise – the likes of which could include becoming a popstar for the day with Rihanna.

A full 30 year’s on and the BRIT Awards now operate in a music ecosystem where sales are fleeting and brand alignments offer artists a whole new gamut of opportunity. (Not to mention the opportunities for the event itself which even has its own official watch sponsor.)   However, from the brand side – as with normal TV shopping channels – it’s probably best not to go for an impulse buy tonight. That’s not to say that the acts on show don’t all have their place amid the right campaign. However, entering into an unconsidered alignment, without proper research behind the brand fit, means there is a real chance the endorsement you thought was solid gold could turn out to be an expensive Diamonique stone around your brand’s neck.

For more on ensuring music endorsements work for your brand see our previous article

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Mobile music: Brand-as-you-go

Orange UK has launched a new free music streaming service aimed squarely at 16-24 year-olds today in a bid to capture a youth market hungry for free music. The new service – entitled ‘Monkey’ – is a JV between Universal Music Group, Orange UK, and Channel 4 and is the first free music package positioned entirely towards pay-as-you-go customers. The new deal will serve up thousands of songs from Universal artists, plus free competitions, news, gossip, exclusive access to artist content as well as providing the ability to share playlists via social networks. All of this will be free if users simply top up their phones with £10 credit.
 
“The free music element of the package fulfils an untapped market that is looking for a low-cost, easy access music service,” states Orange. “Unlike some music services, which are either restricted to high-end more expensive handsets or have download costs, Monkey is for everyone,” echoes Tom Alexander, CEO of Orange. Mark Mulligan of Forrester Research however takes slight issue with this highlighting how the 600 minutes a month restriction on Orange’s new pay-as-you-go music service positions it as slightly less than free in reality. He argues that customers regularly paying £30 a month in phone credit are actually paying the equivalent of £2.14 per album.
 
So where do other brands fit in this new musical picture? Well, the service is also expected to tie-in with Oranges recently announced partnership with Blyk, the mobile marketing company, with Orange suggesting that Monkey will include “great offers from relevant brands”. It’s plain to see the youth market wants free music, but do they want this to come with brands on board? The answer seems to be yes for a large percentage of the market. A recent KPMG Consumers and Convergence survey suggested that 40% of UK consumers are happy to watch mobile ads in exchange for free music. A figure backed up by an annual research survey from 3ple-Media, which stated that 41% of mobile subscribers are ‘quite likely’ to forward mobile ads in exchange for free access to music tracks. (Notably in these cash-strapped times this is up from 30% in last year’s survey)
 
What particularly interesting about the Blyk tie up is that Orange will serve advertising based on users preferences. How this works in practice in terms of what brands a Lady Gaga fan gets over a Razorlight fan is at present not entirely clear. However, the fact that music consumers want personalised advertising is. Around 48% of 18-45 year olds say they pay more attention if an online ad is relevant to them according to Lightspeed Research. One can assume this translates equally favourably across to mobile as well.
 
So can brands reach music consumers via mobile? Undoubtedly. Can they get the relevant cut through? Arguably yes if the ad content is personalised to user preferences. The main factor here is that advertisers need to see mobile as another touch point in a wider music related strategy. Around 51% of consumers say ads are highly effective if they “give me new information” according to a new Harris Poll.  A non-related ad is going to get passed over, but one that drives the user into a deeper musical experience elsewhere is going to have the highest engagement factor. Mobile ads in this respect act as bookmarks to a deeper rooted music association in the minds of music consumers. Not so much music-on-the-go, more a music experience you can go to.

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First day on the blog…

As our debut post I felt we should set the tone and context for the forthcoming content of the FRUKT on music blog. My business partner and I sat in Hyde Park with a bottle of cold Rosé more than ten years ago and talked about how despite working for a globally renowned major record label, it didn’t feel like embracing the future was on the agenda.

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